Thursday, September 07, 2006

Rear Window

People like to look into other people’s life: to see it, to know it, to feel it, to experience it, because they feel like they are part of the person they want to be. It’s a desire to possess, to satisfy oneself while fully knowing the limit of this desire – that you can never physically “own” the person you are watching, or be the person you want be. It’s this desire among of us that keeps the paparazzi fed. A couple of weeks ago in Hong Kong, an extremely popular cute-sy female singer/actress, Gillian, got on the cover of a magazine. And it brought on some serious heat among the local community on how the law should protect people’s privacy, including showbiz celebrities’. Why? Because the photo on that magazine was a snapshot of this actress changing when she was on tour in Malaysia. The photo was clearly taken by paparazzi with some sort of hidden camera. It was actually, voyeurism. But that’s not the first time, was it? The paparazzi invades celebrities’ everyday life, home life, vacation life, to a point that I start to wonder if these celebrities would be known if their private issues weren’t covered. After all, these mag’s look like a big ass piece of entertainment – there are hardly any words in them anyway. I have been hating this kind of reporting by tabloids and “people” magazine all my life: since high school I have expressed my opinions on this entertainmentization through writings that school. But this trend never seems to die. In fact, with the photos of Gillian in changing room released, this entertainmentization has finally hit the threshold that it was never supposed to hit – body. In Foucaultian theory, our sexual experience and perception of which in everyday life is the window to relationship between us and the power under which we live. In a way, power and subject – or us – is shown through sexuality. This cannot be more obvious in Hong Kong: Celebrities’ private life could be shown all on paper, taken as the accepted norm, so long the sex part – which is symbolically represented by the body – is not touched on. Once this sex part made public in Hong Kong, the threshold is reached and all of us criticize those who report such unethical stuff – even we all have enjoyed those photos of others’ private life, the evidence of intrusion, the proof of the repression. Every issue of these magazines is about boobs, about body: before Gillian’s photos were on there had been tons of almost-nake photos of women all over the covers. You got ex-pornstar in bikinis, celebrities promoting slim products and show their cleavage, slip of gowns when some women go to galas. I mean, the bombardment of “sex” has always been there, the culture of voyeurism has always been going on. So why now? Because looking through someone’s rear window while they change is more wrong that take pictures of topless models sun-bathing? If what’s wrong is the fact we have intruded others’ privacy, then it really doesn’t have to be a “more-wrong” incident to make it “ah, now you are finally proven wrong”. Regardless of what’s on the cover this issue, the interesting part is that we always like to touch on sex in such public domain, just to flirt with the taboo, without really thinking about why we are interested in this anyway – why boobs out of million other things out of million other things you can talk about? – and that’s the dangerous part of our collective mindset. If we have been all wrong anyway, because we have always liked to look into other people’s life with all the little bit of details that didn’t really matter to us at the first place, then maybe we have all been a little retarded in our responses to such “entertainmentizing” way of reporting. Because the truth is, some of them celebrities need to have snapshots of their private life exposed – if objectifying me gives me to fame to sustain the life I been living, why not? I ain’t justifying the act of voyeurism. It’s wrong. Period. But it’s not really about blaming on the one who took or release some sort of photos, but to think about this question: what has gotten all of us to be so interested in someone’s body at the first place? Right now, the chief executive has said he would take care of it, the head of police in Malaysia has said he would investigate Gillian’s case. But what Mr Donald Tsang did not tell us is that it would be hard for him to put a stricter pull on the laws that protect privacy: because two months ago he himself was still talking about giving the police in Hong Kong more executive power in monitoring phone calls, emails and so on… (Yes, US Patriot Act Hong Kong version, though the target of patriotism is this vague image of Beijing up north of us). If law prohibits such acts of voyeurism by reporters, then how could the government check up what you just bought today? What a challenge for those politicians with mediocre political intelligence. And everywhere you continue to look, it's absurdity.

Sunday, September 03, 2006


Trust me, this video is better than any of those clips of Bush stupid moments. This song featuring Dave Matthews Band is from Jurassic 5's new album Feedback, which didn't really impress me when I heard it at HMV, even it got Mos Def on one joint -- until I saw this video. Jurassic 5 has always been my favorite Hip Hop from the West Coast. Originally from Bay Area, they are one of the best hip hop groups out there. I remember I first heard their song in HMV Shibuya during a trip to Japan in 2000. I was shopping, and they were playing at the store songs from their first full-length album then called Quality Control, and I thought "man, this sounds like De La Soul with West Coast rhymes!". So I put my yen down on the counter without even thinking about it. (And glad I bought it, 'cause the same album was only imported in HMV Hong Kong like 6 months after I bougth it...) And come on, how cool is their name -- Jurassic 5. (apparently they were 5 people when first started and became 6 as DJ Cut Chemist joined after and remained the same name -- I think -- but Cut Chemist just left the group this year.) I think I like J5's first album so much that I haven't really liked anything else they produced after that. Their second album Power in Numbers wasn't as good as I thought it'd be (but again, cool name tho'). So far as this new one goes, I'm really thinking about it -- at least, we got it at HMV not that much later than the US release.